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By the time they discover why, they face the possibility of being trapped in a world of darkness without any hope of escaping it. Style Lincoln Child is a former child actor who adopted the pseudonym of Anthony Horowitz to write spy novels. He was inspired by spy novels such as John le Carré's The Spy Who Came in from the Cold. Child's previous novels were written under the pseudonym Michael Scanlon, and had a similarly realistic style. He has described himself as "a traditionalist in my approach to spy stories", with a preference for lean prose and dialogue, and a focus on character, not plot. He cites Graham Greene's The Ministry of Fear as an influence on his style. In his review of Child's Red Rabbit series, Martin Edwards writes that "[i]n his best books he has delivered a series of near-perfect novels". Edwards considers the first three Red Rabbit novels to be the best in the series. Child aims to describe the physical details of the world in his writing; he has said he prefers not to use "imaginary" places such as "bungalows on the Indonesian beach" as these locations have been visited by the characters. He bases his settings on actual locations, but has said that it was more important to him to "use locations that I knew very well" and that he had visited many of them in real life. Reception Critical reception Child has received critical acclaim for his work. Martin Edwards writes of Child's career that he "finds an appreciative audience, in equal numbers both for his gripping stories and for the polished manner in which he tells them." He cites The Black Archive as a book that "elevates the genre" and The Rising Sun, although written for children, as "a great international success." In a profile of Michael Moorcock, in the Daily Telegraph, Edward Morrissey wrote that Child was a "man of unusual gifts and perspectives," praising his ability to "create believable and engaging characters and landscapes" and his "appreciation of human nature, especially its tenderness and darkness." Child has also been accused of producing books that have little science and no technology. Novelist William Boyd, while praising The Silkworm, wrote that Child's "achievements in that regard are very limited." Boyd considered that Child had not taken a sufficiently nuanced view of the Cold War, and that the novel "lacked" any analysis of the threat of communism and "gave a simplistic account of the Cold



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